- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
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 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Art of the Middle East/North Africa
  
  
    Dissertations in Progress by Subject, 2002
  
Berlekamp, Persis, “Wonder and Its Images in Medieval Islamic Culture: The Wonders of Creation from the Oxus to the Euphrates, 1280–1388” (Harvard, G. Necipoglu)
Canepa, Matthew, “The Two Eyes of the Earth: Competition and Exchange in the Art and Ritual of Kingship between Rome and Sasanian Iran” (Chicago, R. Nelson)
Cichocki, Nina, “Tourists and Turkish Bathhouses: The Life Story of a Monument in a Global Age” (Minnesota, C. Asher)
Eimen, Alisa, “Architecture of Reform and Revolution in Twentieth-Century Tehran” (Minnesota, C. Asher)
Fetvaci, Emine, “Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1574–1617” (Harvard, G. Necipoglu)
Gruber, Christiane, “Heavenly Journeys and the Imaginary: Illustrations of Muhammad's Mi'raj in Medieval Islamic Manuscripts (Fourteenth¬–Seventeenth Centuries)” (Pennsylvania, R. Holod)
Keshani, Hussein, “Architecture of Ritual: The Bara Imambara Complex of Lucknow, India” (University of Victoria, A. Welch)
Masarwa, Yumna, “Early Islamic Military Architecture: A Study of the Umayyad Ribats of Palestine Based on Archaeological Remains and Historical Sources” (Princeton, T. Leisten)
Roberson, Jennifer, “The Mosque: Community and Identity in Twentieth-Century Morocco and Spain” (Minnesota, C. Asher)
Schenk, Kara, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
Smith, Sharon C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)
Sornin, Alexis, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)
Walker, Alicia, “Beyond the Classical: Islamic Elements in Middle Byzantine Secular Art” (Harvard, I. Kalavrezou)
Yurekli, Zeynep, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study on the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)


