- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Contemporary Art
  
  
    Dissertations Completed by Subject, 2011
  
Show in progress dissertations
Brandt, Amy, “Complicity and Critique: ‘Neo-Geo’ Art of the 1980’s” (Graduate Center, CUNY, A. Chave)
Culler, Jeremy, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (Binghamton University, J. Tagg)
Devine, Erin C., “From Translation to Transgression: The Feminism(s) of Shirin Neshat” (Indiana, M. Facos)
Gamble, Lesley, “Her Charming Hand: Essentialism, Artistic Touch, and Feminist Art from the 1960s and 70s” (Florida, M. Hyde)
Geppert, Melissa, “Favela Effects: Brazilian Art at the Intersections of Community Development and Global Markets” (Minnesota, J. Blocker)
Johnson, Brantley, “Beyond the Pale and Back Again: The Case of Mark Wallinger” (Florida, A. Alberro, E. Segal)
Richter, Till, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)
Sheren, Ila, “Portable Borders/Mythical Sites: Performance Art and Politics at the US Frontera, 1968–Present” (MIT, C. Jones)
Wofford, Tobias, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson)


