- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Drawings/Prints/Works on Paper/Artists' Books
  
  
    Dissertations Completed by Subject, 2015
  
Show in progress dissertations
Gabbarelli, Jamie, “Networks, Copies, Collaboration: Ventura Salimbeni, Philippe Thomassin, Raffaello Guidi, and Printmaking in Rome, 1585–1620” (Yale, S. Boorsch)
Jones, Jennifer, “A Discourse on Drawings: Amateurs, Connoisseurs, and the Graphic Arts in Early Eighteenth-Century Paris” (Columbia, R. Brilliant; D. Rosand)
Pollack, Maika, “Odilon Redon: The Color of the Unconscious” (Princeton, A. McCauley)
Rodgers, Josephine, “Patronage, Power, and Aesthetic Taste: The Marketing of James McNeill Whistler’s Art and Legacy” (Rutgers, S. Sidlauskas)
Salsbury, Britany, “The Print Portfolio and the Bourgeoisie in Fin-de-Siècle Paris” (CUNY, K. Murphy)
Taouchichet, Sofiane, “La presse satirique illustrée et la colonisation (1829–1990)” (Université de Montréal, T. Porterfield; S. Le Men)
Vittoria, Shannon, “Nature and Nostalgia in the Art of Mary Nimmo Moran (1842–1899)” (CUNY, K. Manthorne)
Warren, Maureen, “Politics, Punishment, and Prestige: Images of Johan van Oldenbarnevelt and the States Party in the Dutch Republic, 1618–1672” (Northwestern, C. Swan)
Weyl, Christina, “Abstract Impressions: Women Printmakers and the New York Atelier 17, 1940–55” (Rutgers, J. Marter)


