- Chronology
 - Before 1500 BCE
 - 1500 BCE to 500 BCE
 - 500 BCE to 500 CE
 - Sixth to Tenth Century
 - Eleventh to Fourteenth Century
 - Fifteenth Century
 - Sixteenth Century
 - Seventeenth Century
 - Eighteenth Century
 - Nineteenth Century
 - Twentieth Century
 - Twenty-first Century
 - Geographic Area
 - Africa
 - Caribbean
 - Central America
 - Central and North Asia
 - East Asia
 - North America
 - Northern Europe
 - Oceania/Australia
 - South America
 - South Asia/South East Asia
 - Southern Europe and Mediterranean
 - West Asia
 - Subject, Genre, Media, Artistic Practice
 - Aesthetics
 - African American/African Diaspora
 - Ancient Egyptian/Near Eastern Art
 - Ancient Greek/Roman Art
 - Architectural History/Urbanism/Historic Preservation
 - Art Education/Pedagogy/Art Therapy
 - Art of the Ancient Americas
 - Artistic Practice/Creativity
 - Asian American/Asian Diaspora
 - Ceramics/Metals/Fiber Arts/Glass
 - Colonial and Modern Latin America
 - Comparative
 - Conceptual Art
 - Decorative Arts
 - Design History
 - Digital Media/New Media/Web-Based Media
 - Digital Scholarship/History
 - Drawings/Prints/Work on Paper/Artistc Practice
 - Fiber Arts and Textiles
 - Film/Video/Animation
 - Folk Art/Vernacular Art
 - Genders/Sexualities/Feminisms
 - Graphic/Industrial/Object Design
 - Indigenous Peoples
 - Installation/Environmental Art
 - Islamic Art
 - Latinx
 - Material Culture
 - Multimedia/Intermedia
 - Museum Practice/Museum Studies/Curatorial Studies/Arts Administration
 - Native American/First Nations
 - Painting
 - Patronage, Art Collecting
 - Performance Art/Performance Studies/Public Practice
 - Photography
 - Politics/Economics
 - Queer/Gay Art
 - Race/Ethnicity
 - Religion/Cosmology/Spirituality
 - Sculpture
 - Sound Art
 - Survey
 - Theory/Historiography/Methodology
 - Visual Studies
 
  Native American/First Nations
  
  
    Dissertations in Progress by Subject, 2017
  
Bell, Gloria, “The Eloquence of Things: An Analysis of Indigenous Art at the 1925 Pontifical Missionary Exposition” (The University of British Columbia, C. Thrush)
Hawley, Elizabeth S., “Modern Arts and Pueblo Traditions in Santa Fe, 1909-1931” (Graduate Center, CUNY, K. Manthorne)
Johnson, Annika, “Agency at the Confluence of Dakota and Euro-American Art, 1835-1900” (University of Pittsburgh, K. Savage)
Marcoux, Gabrielle, “mode de gestion et de conceptualisation du territoire dans l’art autochtone actuel au Canada : souveraineté territoriale, visuelle et épistémologique » (Université de Montréal, L.Vigneault)
McLeod, Suzanne, “Not So Different: Sensory & Cross Cultural Recognitions between Eighteenth Century Northwest Coast Peoples and Spanish Colonial Expeditions” (University of New Mexico, J. Szabo)
Smith, Cassandra, “Kiva Murals at Pottery Mound: Toward an Analysis of a Trans-temporal Performativity and Intermediality” (University of Illinois at Chicago, V. Miller)
Stolte, Sarah, “Becoming Yeffe Kimball: Modernism, Gender, and the Construction of a ‘Native’ Identity 1935-1978” (University of Wisconsin-Madison, A. Andrzejewski)


