Concise, critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies

Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.

Recently Published Reviews

Patricia J. Fay
Series: Latin American and Caribbean Arts and Culture. Gainesville: University Press of Florida, 2017. 376 pp.; 122 color ills.; 16 b/w ills. Cloth $90.00 (9780813054582)
Patricia J. Fay’s book, Creole Clay: Heritage Ceramics in the Contemporary Caribbean, fills a void in the broad and diverse history of world ceramics. She does this by focusing our attention on an area of the world generally thought of as a vacation destination instead of a region rich in culture with complicated histories of colonialism, the African diaspora, slavery, hard-won independence, culture, and art, specifically ceramics. Fay deftly weaves the history of this region with the production of utilitarian objects. Her exploration of traditional techniques, raw materials, and the living potters who continue to create traditional ware, against the… Full Review
October 1, 2018
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Mireille M. Lee
New York: Cambridge University Press, 2015. 382 pp.; 110 b/w ills. Hardcover $99.00 (9781107055360)
The study of the role of dress in ancient societies has seen a boom in recent years, absorbing new techniques in archaeology and approaches from “new dress history,” cultural studies, and theories of the body. Mireille Lee’s previous work has already been influential in putting Greek dress on the agenda, and this current volume offers new insights into dress as a communicative medium as well as synthesizing scholarship across a number of related subfields (gender, identity, ethnicity, sexuality, status, class, etc.). By taking Greek conceptions of the body as her starting point, Lee structures the volume by applying the layers… Full Review
September 28, 2018
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David Adjaye and Peter Allison
New York: Thames & Hudson, 2016. 400 pp.; 700 color ills. Cloth $50.00 (9780500343166)
This compact edition of David Adjaye’s exploration of Africa brings together in one volume the fruits of his eleven-year-long project to visit and visually document the capitals of the continent’s fifty-four countries. The front cover image of Adjaye, Africa, Architecture: A Photographic Survey of Metropolitan Architecture serves as a key to the intellectual and conceptual approach of the book: a map of Africa’s six climatic zones. This map, credited to his architectural practice Adjaye Associates, is referred to as both a terrain and political map. This captures well the essence of his approach and investigation, namely, the rich and complex… Full Review
September 26, 2018
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D. Medina Lasansky, ed.
Pittsburgh: Periscope, 2014. 640 pp.; 126 ills. Paperback $35.00 (9781934772256)
This collection of essays has attracted little attention since its publication in 2014, an oversight that should be remedied. Through nineteen essays and nine photo essays edited by D. Medina Lasansky, The Renaissance: Revised, Expanded, Unexpurgated places the early modern past and the postmodern present in dialogue with one another and examines the ways in which the Renaissance has been appropriated and received in Anglo-American popular culture. As Lasansky notes in the introduction, the Renaissance has never been more popular: from the video game Assassin’s Creed to Botticelli Olive Oil and The Da Vinci Code to the various televised incarnations… Full Review
September 24, 2018
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Catharina Manchanda, ed.
Exh. cat. Seattle: Seattle Art Museum, 2018. 96 pp.; 59 color ills. Cloth $35.00 (9780300233896)
Seattle Art Museum, February 15–May 13, 2018
The title of Figuring History, an exhibition of twenty-six large-scale works by Robert Colescott (1925–2009), Kerry James Marshall (b. 1955), and Mickalene Thomas (b. 1971), signals at least two of the show’s significant themes. Both terms have double meanings. “History” refers to people and events of the past as well as to the history of art. “Figuring” indicates both the representations of the human figure and the artists’ attempts to “puzzle out the place and meaning of those figures” (39) in historical and art historical narratives. Employing different strategies, all three artists grapple with figures in history and histories… Full Review
September 21, 2018
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Franklin Sirmans and Yael Lipschutz, eds.
Exh. cat. New York and London: Prestel, Delmonico, and Los Angeles County Museum of Art, 2015. 128 pp.; 80  color ills.; 24 b/w ills. Hardcover $39.95 (9783791354347)
Los Angeles County Museum of Art, June 7, 2015–January 3, 2016
Noah Purifoy: Junk Dada takes an in-depth look at the artistic and biographical journey of the under-recognized African American artist and activist, Noah Purifoy (1917–2004) and his large-scale installation and home environment, the Joshua Tree Outdoor Museum (1989–2004). This lush catalogue, richly illustrated with eighty photographs by Fredrik Nilsen, features insightful essays by Yael Lipschutz, art critic and archivist of the Noah Purifoy Foundation in Joshua Tree, California; Lowery Stokes Sims, curator emerita of the Museum of Art and Design, New York City, and former executive director of the Studio Museum in Harlem; and Kristine McKenna, the Los Angeles–based art… Full Review
September 20, 2018
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Diarmuid Costello
New York: Routledge, 2018. 166 pp.; 12 color ills.; 18 b/w ills. Paper $29.95 (9780415684491)
Diarmuid Costello’s book brings together an abundance of historical and analytical debates to make clear that the philosophy of photography is a delineated field in its own right. Although the title On Photography: A Philosophical Inquiry reflects Susan Sontag’s seminal book and may bring to mind Vilém Flusser’s attempt to single-handedly philosophize photography, it is in no sense similar to those approaches. Costello has gathered a rich corpus of philosophical thoughts on two questions: What is a photograph and what is photography? (7). Instead of resorting to a “cultural criticism” approach (embraced by thinkers such as Walter Benjamin, Sontag, Roland… Full Review
September 17, 2018
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Alessia Frassani
Norman, OK: University of Oklahoma Press, 2017. 256 pp.; 46 color ills.; 52 b/w ills. Cloth $45.00 (9780806157566)
In her microhistory of Yanhuitlan, a town in the rugged Mixteca Alta of Oaxaca, Mexico, Alessia Frassani complicates our understanding of the collaborative and enduring interchange of indigenous and European constituencies in New Spanish society. Although historians attempting to reconstruct the dynamics of an ancient, multiethnic community often discover that their evidence is random and scarce, the documentation of Yanhuitlan, in stone, wood, and paper, is fortuitously consistent. Exploiting this ample data, Frassani explores not only the built environment, primarily in Yanhuitlan’s impressive Dominican monastery (convento) and its still splendid interior, but also the relevant archival material, ranging… Full Review
September 14, 2018
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Lynne Cooke
Exh. cat. Washington, DC: University of Chicago Press and National Gallery of Art, 2018. 448 pp.; 450 color ills.; 467 ills. Cloth $65.00 (9780226522272)
National Gallery of Art, Washington, DC, January 28–May 13, 2018; High Museum of Art, Atlanta, June 24–September 30, 2018; Los Angeles County Museum of Art, November 18, 2018–March 18, 2019
Outliers and American Vanguard Art at the National Gallery of Art in Washington, DC, offers an ambitious study of the significance of self-taught art to the production of mainstream US American artists. The expansive exhibition presents more than 250 works by 84 artists and is organized around three historic periods that, argues its curator Lynne Cooke, saw a surge in formal support for objects made beyond the conventional bounds of the art world: 1924–43, 1968–92, and 1998–2013. Outliers and its accompanying catalogue present an original and compelling account of US American art, bringing together many rarely exhibited artworks in illuminating… Full Review
September 12, 2018
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Allison Morehead
Refiguring Modernism (Book 21). University Park: Penn State University Press, 2017. 264 pp.; 51 color ills.; 60 b/w ills. Hardcover $89.95 (9780271076744)
Gustave Kahn’s characterization of Symbolism as “the exteriorization of the Idea” is usually explained as the Symbolists privileging the imagination over a naturalistic art practice that reproduced the visible world. In Nature’s Experiments and the Search for Symbolist Form, Allison Morehead reorients this quotation and Symbolist art itself toward science, specifically the experimental method. One of the crucial arguments in Nature’s Experiments is that even as positivism was being widely critiqued at the end of the nineteenth century, experimental methodology was gaining authority as a mode with which to realize not only scientific truths, but also truths about the human… Full Review
September 10, 2018
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Jessica L. Fripp, Amandine Gorse, Nathalie Manceau, and Nina Struckmeyer, eds.
Paris: Mare & Martin, 2016. 296 pp.; 15 color ills. Paperback €35.00 (9791092054422)
The edited volume, as a scholarly format, has proliferated in recent years but is too seldom celebrated. Its demands—principally brevity when it comes to individual essays—and its overall capaciousness produce texts and experiences of discovery this reviewer cherishes. When it comes to the topic of sociability, moreover, there could scarcely be a more appropriate form of presentation. If all books are social—collaborations linking author, editor, copyeditor, indexer, designer, printer, and so on—multiauthored volumes seem explicitly sociable. Frequently emerging from conference panels or colloquia, they are traces and performances of conversation and of groups coming together around a common purpose, to… Full Review
September 7, 2018
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Mazie M. Harris
Exh. cat. Los Angeles: J. Paul Getty Museum, 2018. 224 pp.; 187 color ills.; 20 b/w ills.; 207 ills. Cloth $49.95 (9781606065495)
J. Paul Getty Museum, Los Angeles, February 27–May 27, 2018
Paper Promises: Early American Photography, curated by Mazie M. Harris, assistant curator of photographs at the J. Paul Getty Museum, offered fascinating insight into the little-known history of early paper photography in the United States. Although the processes for producing metal daguerreotypes and paper photographs were introduced simultaneously in America, negative-positive paper photography was slow to catch on, despite the ostensible benefits of its reproducibility. Harris accounts for this fact in the financial history of the antebellum period arguing that the medium’s feared potential to create counterfeit currency stymied its adoption in the United States. After Andrew Jackson dismantled the… Full Review
September 5, 2018
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Laura Anne Kalba
University Park: Penn State University Press, 2017. 288 pp.; 108 color ills.; 11 b/w ills. Hardcover $84.95 (978-0-271-07700-0)
And then there was color. In short, this is the theme of Laura Kalba’s fascinating study, Color in the Age of Impressionism: Commerce, Technology, and Art, which chronicles the explosion of vivid (and often artificial) colors in everyday life in late nineteenth-century France. Explaining the science and technology behind the making of both new as well as more saturated traditional colors, the book traces the many experiential and epistemic shifts that attended consumers’ willing acceptance of a more colorful environment. In the process, the book shows that our modern assumptions surrounding color—including its vibrancy and ubiquity in daily life—owe… Full Review
September 4, 2018
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John Stauffer, Zoe Trodd, and Celeste-Marie Bernier
New York: Liveright, 2015. 320 pp.; Many color ills.; Many  b/w ills. Hardcover $49.95 (9780871404688)
Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American has already received admiring reviews in the New York Times, Washington Post, New Yorker, and New Republic among other media outlets. The 2015 book by John Stauffer, Zoe Trodd, and Celeste-Marie Bernier is worth returning to here for what it offers specifically to artists and art historians. Pulling together extensive images of and writings by Frederick Douglass, many never before published, Picturing Frederick Douglass is a treasure trove for several fields, including photography history and practice, art histories of the African diaspora, and histories of American… Full Review
August 31, 2018
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Jonathan J. G. Alexander
New Haven: Yale University Press, 2016. 456 pp.; 100 color ills.; 150 b/w ills. Hardcover $75.00 (9780300203981)
Jonathan Alexander became aware of the lack of a survey in English of Italian Renaissance illumination while preparing the groundbreaking exhibition The Painted Page: Italian Renaissance Book Illumination 1450–1550, held in London and New York in 1994–95 (exh. cat., 1994). He took up the challenge equipped not only with a profound knowledge of painting in Italian books, but also an extraordinary background in manuscript studies. He has published essential monographs and catalogues on art and manuscripts of the ninth through sixteenth centuries from many areas of Europe and brings to this survey his experience in addressing a myriad critical issues… Full Review
August 29, 2018
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